Throughout her life, Sonja has been attracted to architectural scenes
comprised of multiple components and interesting rooflines, such as barn
complexes and industrial structures. In her imagination, she enjoys
simplifying such scenes into two dimensional compositions where the
various planes are flattened into interesting shapes and areas of color.
Influenced by her training as a Hindu miniature painter, Sonja’s most recent
pieces explore ways of representing her interpretation of industrial buildings
by manipulating the arrangement the geometric forms, deliberately
corrupting perspective, taking liberties with light and shadows, and being
bold with color and precise with line.
The results are sharp, slightly abstracted, and most definitely affectionate
portrayals of what are often considered “blighted” buildings and “eyesores”.